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An alien race has hit the Earth in an unrelenting assault, unbeatable by any military unit in the world. Major William Cage (Cruise) is an officer who has never seen a day of combat when he is unceremoniously dropped into what amounts to a suicide mission. Killed within minutes, Cage now finds himself inexplicably thrown into a time loop-forcing him to live out the same brutal combat over and over, fighting and dying again...and again. But with each battle, Cage becomes able to engage the adversaries with increasing skill, alongside Special Forces warrior Rita Vrataski (Blunt). And, as Cage and Vrataski take the fight to the aliens, each repeated encounter gets them one step closer to defeating the enemy!

LAPD lieutenant Mike Harrigan and his cocky detective partner Jerry Lambert soon realize that what seemed a bloody feud between voodoo high priest King Willie's Jamaican gangs and Ramon Vega's Colombian drug gang is actually the work of a scary third party. Peter Keyes's federal team shields the crime scene even for the LAPD. BUt after forensics proves it must be an alien, who keeps making victims, the chase brings them all together.

WTF is wrong with people? Predator-1 had more Arnie than Predator. This movie simply has more Predator. It also greatly expanded the Predator universe and franchise. It introduced a whole new bunch of Pred weapons, tactics and behavior which never ever seemed out of place and were perfect fits. It explored their race further. All these were added to full effect in the AvP and AvP-2 PC games which were smash hits so imagine how horrible it would be if this movie never happened? The urban (steel jungle?) setting contrasts against the previous jungle setting and is a major plus for this movie. This movie was also extremely realistic and gory. All in all, this movie is fantastic and a few ignorant critics just want to bring it down by comparing it with the uniqueness of the original.

A team of special force ops, led by a tough but fair soldier, Major "Dutch" Schaefer, are ordered in to assist CIA man, George Dillon, on a rescue mission for potential survivors of a Helicopter downed over remote South American jungle. Not long after they land, Dutch and his team discover that they have been sent in under false pretenses. This deception turns out to be the least of their worries though, when they find themselves being methodically hunted by something not of this world. 

Predator is definitely one of the best alien thrillers ever made. It is one of my personal favorite movies. When I first saw just a brief part of Predator when I was about five, I was freaked out and scared to even watch the movie for many ages, but eventually, once getting older, came to like it. The Predator, played by Kevin Peter Hall, is a very realistic and believable creature for the 1980s, when this movie was created. I like how humanlike its form is, and how un-humanlike it is at the same time. The creature's four mandibles were a great idea for its distinct facial characteristics and the creature's roar is awesome, one of the best ever produced. This movie stars Arnold Schwarzenegger, Carl Weathers, Bill Duke, Jesse Ventura, Richard Chaves, Elipidi Carillo, Shane Black, and Sonny Landham and they are all believable in their roles and even add to the humor that this movie has. This is obviously the best of the Predator movies and still one of the most highly liked thrillers today. And let's all show respect for Kevin Peter Hall, who died a year after he had made Predator 2.

In 2003, in the Longview State Correctional Facility, the criminal Marcus Wright is on death row, and is convinced by the cancerous Dr. Serena Kogan to donate his body to her research and he accepts. In 2018, after an unsuccessful attack to a Skynet facility, only John Connor survives, but he discovers that Skynet is developing the powerful new model T-800. Out of the blue, Marcus appears naked and with amnesia in the location. Marcus befriends the teenager Kyle Reese and the girl Star who help him to survive the lethal machines and they travel together in a Jeep. Meanwhile the resistance discovers a signal that might turn-off the machines and John offers to test it. When Kyle is captured by a machine and brought to the Skynet headquarters, Marcus decides to help the youngster and heads to Skynet; on the way, he saves Blair Williams who suggests to him that he should meet John Connor first. But Marcus steps on a mine and is submitted to surgery, when a secret about his origins is ...

The atmosphere that James Cameron and Stan Winston had created for the first 2 films in the franchise is what really hit me and still does to this day. I think that was the key component along with consistency and approach that gave the Terminator film it's unique style and attractiveness. It's metallic-blue overlay, infused with creepy whines of music and heart pounding edge of your seat suspense was what really created this secondary reality if not for only an hour long. It made us have a connection to these characters. A sense of believability in what was really going on. But it was those elements that were able to harness the inner workings of this dark dreamland. In essence the first two Terminators were projected nightmares in a sense, as if you were running and running, but no how fast you ran, the shadowy figure on your toes just keeps closing in. THAT is what made those films so captivating.

Now these elements in one way or another were tried in this newest installment of the franchise. I see it as I've heard before as a "hit and miss" movie in which it got some key features to play out in the film, but lacked that essential tone T1 and T2 romantically portrayed.

I have talked in lengths with individuals on why this film didn't quite hit all of it's projected(we hope) targets and I haven't really heard a clear and analyzed answer. Some say it was the amount of sub-plots that were involved, the lack of plot, the empty character development, the slight cheesy factor, and or the overall weak story and unnecessary additions to the Terminator franchise. Although these all valid arguments to say the least and I would agree on them full heartily, I don't see it as the culprit of the problem here of why this film did not life up to it's expectations.

I think, like I said above in the first paragraph, that it was the direction the film was taken in perspective to it's overall tone and mood. God bless his soul, Stan Winston. For if he were alive I think we would have seen a more polished version of what we have now witnessed. I also think it was a bad part on McG for giving the O.K on the revised Terminator theme by veteran composer Danny Elfman. I don't know why in the hell the screened audiences gave the thumbs up on that one. Another issue of course is that most of the scenes were in broad day-light. I understand that McG wanted to get a different take on the war, but I don't think this was pulled off in any respects to what James Cameron had in mind for the war.(Shouldn't the sky be filled with pollution and dark particle manner from the nuclear explosions creating an ever-dark wasteland?) This was CRUCIAL and they blew it. I don't see why they didn't go with more night scenes. It is one of the strongest representative thematic elements portrayed in the Terminator 1 & 2.(I am not even going to mention T3 because of the ridiculous amount of mistakes made) 

The Rating: A main point that needs to be addressed for sure is the film's PG-13 rating. Of course they did this to appeal to a larger demographic of movie-goers, but they did it in expense of the true grit and bones that T1 and T2 had. I don't see why a Terminator film should be even considered for a PG-13 rating. Anything lower than an "R" rating does not do the title justice. The series is called Terminator for a reason...They are killing machines. THAT'S IT. I think that this is one of the biggest insults to the die-hard community of Terminator fans everywhere.

There is no room for Mediocrity in trying to follow up after T2: Judgment Day. Lets hope and pray that us as an online community hold the next bunch of crazies accountable for their creative actions for the next installment of the franchise.

A cyborg is sent from the future on a deadly mission. He has to kill Sarah Connor, a young woman whose life will have a great significance in years to come. Sarah has only one protector - Kyle Reese - also sent from the future. The Terminator uses his exceptional intelligence and strength to find Sarah, but is there any way to stop the seemingly indestructible cyborg ? 

The Terminator is one of those films that no matter if you've seen it or not, you've heard of it, heck you know at least one or two lines without seeing it! This is the movie that blasted then new comer's Arnold Schwartzeneggerr's career, made James Cameron a name in Hollywood, and gave new meaning to a possible dark future that gave us nightmares. I remember the first time I saw this movie, I was just 8 years old and my dad of course walks in saying to cover my eyes at every "bad" scene with violence or nudity, needless to say about 70% of the movie he covered my eyes. Finally I got to see it with my mom and I was in love, this wasn't just an action movie, though it is one of the best, it had a story. To think this was all based upon just a quick nightmare that James Cameron had, he didn't have much money, but he had a good script, a great crew on his side to make one of cinema's greatest movies of all time.

Two men appear in Los Angeles in separate locations, manifesting in sudden, blinding flash-storms of electricity. One is heavily muscular; the other man, slim and wiry. The mysterious muscular man obtains weapons and begins hunting down all women named "Sarah Connor", using a phone book to track his targets. He successfully kills the first two of the three listed women. When he attempts to kill the last Sarah Connor, he is stopped by the other man, Kyle Reese who has been sent back in time to protect her. While hiding in a parking garage, Reese explains that the man hunting Sarah is actually a cyborg assassin called a "Terminator", built by Skynet, an artificial intelligence network created by Cyberdyne Systems. In the near future, Reese explains, Skynet gained self-awareness, initiated a global takeover of military hardware, and launched a nuclear war against humanity. Skynet ordered that a scant number of humans were to be kept alive in order to be used as slave labor. John Connor, Sarah's son, rallied the few remaining humans and led a resistance movement against the machines. After a grinding campaign, the human resistance was on the verge of victory; in a last-ditch effort, Skynet sent the Terminator back in time to kill Sarah before John was born, preventing the resistance from ever being founded and allowing the machines to win by default. Reese volunteered to follow the Terminator back in time to protect Sarah; after his use of the time transportation equipment, it was to be destroyed by the resistance in order to prevent further Terminators from going back in time. The Terminator feels no pain, has no emotions, and will stop at nothing to accomplish its mission.

The Terminator is personally one of my favorite movies of all time, I think because this movie really is something special. Yeah, the effects are very 80's, but for the time and even to this day, I think the special effects are much better than the CGI crud we get in today's cinema. This has everything: action, romance, horror, sci-fi, and even some dark humor. The reason why Arnold's "I'll be back" is so famous is not just because of his accent, but because you knew that something bad was coming. Kyle Reese's "Come with me if you want to live" is classic as well. If you haven't seen The Terminator, I highly recommend this movie, it's an incredible one that is sure to deliver entertainment to the fullest. This is one of the greatest movies of all time and I'm sure that you will not be disappointed, if you are, get a CAT scan.

More than 10 years after 'Terminator 2', John Connor now exists only as a drifter - living 'off the grid', so no more Terminators from the future can hunt him down. Unfortunately, SkyNet does send another one back - and this one is called the T-X, even more powerful & advanced than the dreaded T-1000. However, another CSM-101 Terminator is also sent back to protect John against the T-X. Now, Skynet is patiently assuming control of civilian computer systems, under the guise of a computer virus. John has also met his future wife, Kate Brewster, whose father - a U.S. Air Force General - is in charge of the military computer systems & is leery of up linking SkyNet. However, when the SkyNet virus infects the U.S military computers & leaves the country open to attack, the machines begin their horrific takeover. Soon a nuclear war will result - and the war against the machines will begin. Can the outdated CSM-101 Terminator eliminate the highly advanced T-X - or will a darker future await ...

Terminator 3 was nothing short of a thrill-ride of explosions, over-the-top action and fun - although after three movies I am finding the Terminator series getting very repetitive. Is it just me, or does it seem like a member of the resistance comes back to protect John Connor/Sarah Connor, the machines send back a Terminator to take them out - we see some fights and bingo-bango, a couple hours later it is all resolved?

I felt Terminator 3 lacked the look and feel of the classic Terminator 2, and often bordered on unintentionally comical scenes. I had to laugh at some of the fight scenes between The Terminator and the T-X, which seemed like some sort of CGI bad dream. On the opposite side of the coin, the scenes throughout the movie which were supposed to be comical, felt very cheesy and tacked-on, i.e. the Elton John glasses.

That aside, Terminator 3 was packed full of what Arnie movies do best - fights, chases and s*** getting blown up. The car chase scene involving the crane was great, and as far as I am concerned was better than The Matrix Reloaded's attempt at a car chase any day. The T-X, played by very cute Kristanna Loken, brought a freshness to her role as the 'Anti-Terminator' Terminator. The T-X seems to take the best of the Terminator and the T-1000, and chucks in some extra firepower for added effectiveness.

Terminator 3 might not add as much to the overall story as possibly Terminator 2, but it will fill a lot of holes, expand on some of the concepts hinted at in previous movies and tie up some loose ends in the series. You will learn more about John Connor's future, Skynet, Judgement Day, and the future of mankind's battle against the machines.

As for the ending? Well I thought it was a very interesting and thought-provoking way to end the movie, and possibly the series. Although given Hollywood, I would imagine there will probably be at least one or two more movies. With or without Arnold, the series surely must move away from the "send back a Terminator to kill John, and they send one to protect him" style, and take us to the future where John Connor takes control of the resistance.

Dr. Alan Grant is now a happy man with the previous incidents of Jurassic Park now behind him. Grant is that happy that he announce in public, that nothing on Earth can persuade him back onto the islands. Maybe nothing, except Paul Kirby. Kirby and his wife, Amanda want a plane to fly them over Isla Sorna, with Dr. Grant as their guide. But not everything Kirby says is true. When the plane lands, Dr. Grant realizes that there is another reason why they are there, that he doesn't know of. Now, Dr. Grant is stuck on an island he has never been on before, with what was a plane journey now turned into a search party.

I expected this to be a very bad movie. I mean Jurassic Park III ??? Comon! It has all been done before how can they possibly come up with a new movie with a believable story. But the movie turned out to be actually pretty good.

One of the reasons why this movie became successful for me was because of the different approach. "Jurassic Park" and "The Lost World" took itself very serious and tried to create a somewhat believable story, while Jurassic Park III had far more humor in it and it was obvious that the makers didn't tried to create a breathtaking movie with lot's of tension and a realistic story, but a fun entertaining non-sense movie instead.

The story is also better then I expected, at least it's original and it has some nice moments in it. It's a big plus that finally those dinosaur-birds (sorry, don't remember their name) appear in the movie. The raptors are also cooler then ever. They're not as scary as in the first and second movie, but at least they look better in this one. And that goes for all the dinosaurs. There are some more nice new dinosaurs in this one but I won't mention them all.

It's great to see Sam Neill return as Dr. Alan Grant and same goes for Laura Dern as Dr. Ellie Sattler (although here role is pretty small but yet important) Alessandro Nivola is a great addition to the cast as Billy Brennan. The other characters are more for the comedy elements which works pretty well.

So my conclusion: An entertaining movie that is good for a few laughs and a good movie with some nice scene's and better then ever special effects for the dinosaurs.

Four years after the failure of Jurassic Park on Isla Nublar, John Hammond reveals to Ian Malcolm that there was another island ("Site B") on which dinosaurs were bred before being transported to Isla Nublar. Left alone since the disaster, the dinosaurs have flourished, and Hammond is anxious that the world see them in their "natural" environment before they are exploited.

The Lost World: Jurassic Park is probably still my favorite out of the Jurassic Park film series. It's far from perfect but it's still nerve-racking. Back in the day it stressed me out to watch the poor choices these people were making. It would have been completely unbearable to watch if it wasn't for Ian Malcolm (Jeff Goldblum). He was and still is the only one that kind of make sense, his cynicism, common sense, and sarcasm contributed to stop this movie becoming a total train-wreck. He was the character the audience could relate to and also the comic relief of the film. I will admit that sometimes he was borderline annoying but he was saying what we were all thinking watching the film.

Unlike the first one it doesn't rely so much on our fear of the unseen. We see a lot of the dinosaurs, they are no longer lurking in bushes off-camera, they are front and center. The special effects looks good but we might have seen too much of them. They could have left a few things to the imagination, it would have been much scarier that way.

This sequel, like many, is riddled with flaws, and I'm only going to name a few. The tiny dinosaurs - the compsognathuses -, they started out strong in the amazing opening scene but then *spoilers* their victim survived so how the F*** can they later on kill a full grown man that fast? To this day it pisses me off, she should have died. It wouldn't have been pretty but it would have made me take them seriously.

The Lost World: Jurassic Park flaws are big but easy to overlook because the film is entertaining. In fact, the big chunk that I didn't like, I sort of disregarded it; as if it was not in this movie. I blocked out the ending completely. 

Huge advancements in scientific technology have enabled a mogul to create an island full of living dinosaurs. John Hammond has invited four individuals, along with his two grandchildren, to join him at Jurassic Park. But will everything go according to plan? A park employee attempts to steal dinosaur embryos, critical security systems are shut down and it now becomes a race for survival with dinosaurs roaming freely over the island.

It's hard to believe that it's 6 years since this film appeared at the cinemas. At the time it was a truly ground-breaking film, managing for the first time to portray dinosaurs in an extremely realistic manner, unlike those plasticine monsters that we were forced to watch in previous monster movies. Jurassic Park will also be remembered as the movie that finally made George Lucas sit up and realise that it was possible for him to make his prequels.

In hindsight, while it is still an extremely well directed and tension filled movie, the script did seemed dumbed down in order to appeal to as many people as possible - but that's really irrelevant since this film is all about dinosaurs. One of Spielberg's brilliantly directed films, it even managed to make me forget Spielberg's previous disaster of a movie - do you recall HOOK?

Sam Bell has a three year contract to work for Lunar Industries. For the contract's entire duration, he is the sole employee based at their lunar station. His primary job responsibility is to harvest and periodically rocket back to Earth supplies of helium-3, the current clean and abundant fuel used on Earth. There is no direct communication link available between the lunar station and Earth, so his only direct real-time interaction is with GERTY, the intelligent computer whose function is to attend to his day to day needs. With such little human contact and all of it indirect, he feels that three years is far too long to be so isolated; he knows he is beginning to hallucinate as the end of his three years approaches. All he wants is to return to Earth to be with his wife Tess and their infant daughter Eve, who was born just prior to his leaving for this job. With two weeks to go, he gets into an accident at one of the mechanical harvesters and is rendered unconscious. Injured, he ...

I was led to this movie, partly because of a sort of dissatisfaction from what we've known as science fiction due to Star-Treks, Star wars, terminators and transformers. On my visit to the local independent movie theater, I was only expecting something like Apollo 13 and I would've been satisfied with just that.

But the movie proved to be much more. It wasn't just the cinematography, few captivating shots of the moon surface, or the great acting performance. It was as if the movie took a while to ponder over philosophical questions that science and technology raise- something that every science fiction ought to do.

This work won't be unworthy of a comparison with Kubrick's- space odyssey – only that it is probably not as visually stimulating as the latter. It does make good use of classical music like Kubrick's. I found the movie to be a bit more accessible than Tarkovsky's Solaris in that it is much more fluid and entertaining (Solaris was 3 hr long – executed very slow albeit with a similar idea). Like Solaris, the protagonist's recollections of the life on earth eventually result in some mental instability, but the movie stays away from getting into long philosophical debates on human experience or our place on earth.

In general, do expect a lot more than space travel in this movie. To cite an example, the isolation of Sam made him more attached to memories of his life on earth. I don't recall many other movies that have expressed it so well that in isolation, nothing really means anything. Kudos to the director! Such existentialist reflections aside, there are many instances when the movie makes a statement about unethical corporate practices, evasive HR responses - almost to the extent 'Michael Clayton' did. I think that makes it more worthwhile to watch. Still despite all that, it avoids taking any stances on controversies that bother all of us in modern times. It puts us through the fears of the unknown, catastrophes of distrust and what arises from distrust and isolation and all of that.

Still, somehow the movie isn't really as dark as the script might make it sound. There is isolation, mistrust, schemes, confusion, curiosities and despair, but the human experience probably transcends the realism of its existence – that was the idea I carried back from the movie theater.

An impromptu goodbye party for Professor John Oldman becomes a mysterious interrogation after the retiring scholar reveals to his colleagues he never ages and has walked the earth for 14,000 years.

If not the "best" science-fiction film ever made, Jerome Bixby's Man From Earth is certainly one of the most thoughtful. This movie reminds me of Close Encounters of the Third Kind. Not with spaceships and effects, but with intelligent characters and exceptional dialogue, and that it left me with a sense of true wonder and joy, long after the credits ended. If the movie had been two hours longer I still would not have been bored, even though most of the film takes place in one small room. It's like watching a ninety minute Twilight Zone, with a perfect surprise ending. John Billingsly stands out, as does David Lee Smith, who may or may not be a caveman. The rest of the cast is good, but the script is the true star. And to anyone claiming this film is boring because we never leave the one room; Some of the very best Twilight Zones were just that. Good actors, good scripts, one or two locations. To anyone who's fed up with spaceships and explosions and Jar-Jar Binks, see this movie as a reminder of what science fiction has always been about.

The world's youngest citizen has just died at 18, and humankind is facing the likelihood of its own extinction. Set in and around a dystopian London fractious with violence and warring nationalistic sects, Children of Men follows the unexpected discovery of a lone pregnant woman and the desperate journey to deliver her to safety and restore faith for a future beyond those presently on Earth. 

Of all the visions of the future movie audiences have been treated to over the past few years, the world of Children of Men may be the most frightening and allegorically effective yet.

Directed by Alfonso Cauron (Harry Potter and the Prisoner of Azkaban), and set in 2027 London, the film takes place at a time when the planet is in the grip of an infertility crisis. Societies worldwide have collapsed after no children have been born in almost two decades, and the survivors of the ensuing wars, atrocities and civil breakdowns flee to Britain, which still functions under a harsh regime.

Clive Owen (Closer, Sin City) plays Theo, a former activist now working as a paper-pusher in the Ministry of Energy and downing a large amount of Scotch to get him through the day. He walks to work past terrorist bombings, cages filled with illegal immigrants rounded up by riot police, and piles of garbage littering the London streets. When an old flame and revolutionary, played by Julianne Moore, appears with a request that he use his governmental connections to help her move a refugee girl across the country, he agrees on the basis he be compensated. When he discovers that the girl (Kee, played by Claire-Hope Ashitey) is pregnant, his mission takes on new dimensions.

Cauron and his team of production designers have created what is, perhaps, the most believable vision of the future seen in quite some time. Advanced technology exists side by side with squalor, and is never allowed to steal the audiences attention away from the proceedings for too long. As far as being a realistic portrayal of Britain in twenty years time, the film is light years ahead of last year's disappointing V for Vendetta, which stripped away British iconography and culture and essentially kept London as a rather two-dimensional metaphor for the United States.

As a thriller, the film is blisteringly intense and incredibly effective. From the bomb blast that caps off the opening credits to the frenzied urban warfare sequences that dominate the film's closing thirty minutes, Cauron never lets the film lag. Though it slows down enough to deal with character development and exposition, the film maintains a running intensity as Theo and Kee try to stay one step ahead of terrorists, the police, the army and random opportunists. Several action scenes are shot in continuous takes, and make for compelling and electrifying viewing.

However, the film works as a socio-political drama as well. Though Cauron's two central messages (that immigrants enrich, rather than threaten, Western society, and that the outlook for human survival is dim when operatives on all sides let ideology displace compassion and good judgment) are strongly put, he is never so heavy-handed that they dominate or displace the actual storyline. Similarly, while the film makes numerous metaphorical references to present-day events, they are never so contrived as to derail the narrative.

The film features solid performances from Clive Owen, who is at his rugged, rumpled best, and Julianne Moore. Supporting players also do well: Michael Caine is terrific as Theo's pot-growing hippie friend, the versatile Chiwitel Ejiofor is again in fine form as a revolutionary cell leader, and Pam Ferris is also good as another of Kee's protectors. It is, however, Claire-Hope Ashitey who stands out as the illegal immigrant who may well be humanity's hope for the future.

Children of Men is packed with explosive action, incendiary social commentary and some white-hot performances. As a result, it may well be the best film of the year.

Dr. Ryan Stone (Sandra Bullock) is a brilliant medical engineer on her first shuttle mission, with veteran astronaut Matt Kowalski (George Clooney) in command of his last flight before retiring. But on a seemingly routine spacewalk, disaster strikes. The shuttle is destroyed, leaving Stone and Kowalsky completely alone - tethered to nothing but each other and spiraling out into the blackness.

I didn't think this movie would be that good with some of the reviews I've seen so I waited until the movie was on HBO. I'm not sure why a lot of people don't like this movie. This was an excellent tale of trying to survive with all the odds against you. This movie draws you in and makes you root for the characters without actually getting in depth to their lives. You don't need to know all about someone in a survival situation because it really doesn't matter what they did in the past. Some things in the movie aren't realistic but its a movie its not real life so I'm OK with it. These are some of the CGI I've seen in a long time. I'm not to sure why there's so many people who dislike this movie.

In the near future, Earth has been devastated by drought and famine, causing a scarcity in food and extreme changes in climate. When humanity is facing extinction, a mysterious rip in the space-time continuum is discovered, giving mankind the opportunity to widen its lifespan. A group of explorers must travel beyond our solar system in search of a planet that can sustain life. The crew of the Endurance are required to think bigger and go further than any human in history as they embark on an interstellar voyage into the unknown. Coop, the pilot of the Endurance, must decide between seeing his children again and the future of the human race.

Love is the one thing that transcends time and space...

New creation of Christopher Nolan's genius, whose name is now known to everyone. His films are waiting with a special look, because it offers something that every day, unfortunately, less and less can be found in the world of mass cinema - an interesting spectacle, filled with meaning, ideas and emotions. At this time, Christopher decided to send us not to the world of dreams, and even not on the dark streets of Gotham City. No, now he send us to the journey to, and perhaps beyond the boundaries of the possible and impossible, through the curvature of space and time, in other worlds. And you won't forget this trip, this can be assured.

I was madly waiting for Interstellar's release. And then, finally, I was able to see this Beauty - at the premiere in my coutry on October, 29. It was incredibly exciting. It was a delight. It was unforgettable. It was gorgeous. Nolan once again amazes the viewer's imagination by his painting. Journey to the brink of infinity, the line where humanity has never set, acts as either the first-born purpose and a background of emotional history about the father and the daughter. A loving father who mankind need to help, but that he should leave his children, and a loving daughter who doesn't want to let her dad in the infinity darkness.

Starting from the very first frame and ending with the closing credits, a new picture of Nolan will absorb you completely, forcing stare at the screen during the whole action, because it's all so exciting and interesting that escape becomes physically impossible. No, this three hours won't fly quickly for you. You'll feel every emotion, every event, every character. You will not look how the main characters travel through the universe, because the movie experience in this film is so excellent that you will be on board of "Endurance" starship and travel between the worlds with the main characters by yourself.

The emotional core of this story is the relationship of Matthew McConaughey's character and his daughter - Mackenzie Foy' and Jessica Chastain' character. And the acting work of these three artists in "Interstellar" impress the most. McConaughey was acting really great, and this is one of the most emotional, if not the most emotional role of his life. All the drama and tragedy of the relationship of father and daughter in this film will not leave anyone indifferent. Anne Hathaway, Wes Bentley, Michael Caine, Casey Affleck, Ellen Burstyn and other actors also coped with their roles and presented the film's supporting characters very realistic. I would particularly like to note a small but important in this story role of Matt Damon, a character who has received quite memorable. If we talk about the characters, it should be noted also two robots that accompanied our heroes in this difficult journey. One of them adds a touch of humor in the film, which mitigates constantly depressing, dramatic, and sometimes really dark atmosphere.

The script of the film is very well combined the history of space exploration and the relationship between Cooper and Murph. The story is complex and complicated, is based on real scientific theories by Kip Thorne, and indeed contains a reference to the "Space Odyssey" and other sci-fi pictures. This story about true love, about loyalty, forgiveness, fraud, hard decisions, and much more. And it is designed so that leaves a lot of room for the imagination of the viewer. It's also possible to notice some structure allusion to another Nolan's work

Interstellar.

Hans Zimmer's score, written by him on the basis of only one letter from Nolan, hold the key: "Once we become parents, we can't help but look at ourselves through the eyes of our children", deserves a special praise. On this basis, Hans managed to write just incredible soundtrack that perfectly harmonizes with the history and the visual side of the picture. And this work of the composer is really different from the previous ones. It is executed in a different style from another subject in its base. Very impressive work, which will be pleasantly listened again and separate from the film itself. 

Visual range of the picture is incredibly beautiful and circuses. The "Endurance" itself, new worlds, insanely beautiful and mysterious space, wormholes, black holes, and travel through them, folds of time and space are arranged so that is simply breathtaking. I would like to thank all those who contributed to the creation of a visual of this film. It must be seen. That mastery with which this is done, not just words. In the visual pattern also has some references to the Kubrick's "Odyssey", and they are pleasing to the eye.

Many thanks to Christopher Nolan for having given us such an incredible movie, which once again proved to us that the cinema is Nolan's life. 

"Interstellar" is a film that wins the hearts of the audience not only with its sci-fi splendor, but also an emotional story that lies at its very heart. This film is not only about the discoveries, space exploration and the final frontier of mankind, but also about the relationship of father and daughter, who were in a difficult situation in life when one has to leave the other in the name of a goal that can not be underestimated. So, with what Nolan's genius unfolds before us this action is beyond praise. Combining the story, filled with not only real science fiction, but the true human values ​​and emotions, outstanding and very emotional performances, breathtaking visuals, epic and dramatic soundtrack, Christopher Nolan breathed the life into this film by his directing to create something truly masterpiece again. 

"Do Not Go Gentle Into That Good Night... Rage, Rage Against The Dying Of The Light."